Aleppo has been known for centuries for its food. Like many gastronomic centers, the city was blessed with a set of circumstances: a location on key trading routes, a diverse population, a prosperous middle class, and a place amidst the most fertile farms in Syria.1 This created a diverse cuisine that blended elements from its various ethnic and religious groups. Unfortunately, war has put all of this at risk. Much agricultural land is cut off, restaurants are closed, food is in short supply, and destruction has nearly halted food production. With many of its people scattered around the world, there is a risk of the loss of knowledge and skills. Not only is there a need to preserve food ways, but Aleppian cuisine is an important aspect of identity that once bound people together and might do so again.
DIASPORA: “Emigrants and their descendants, who live outside the country of their birth or ancestry, either on a temporary or permanent basis, yet still maintain effective and material ties to their countries of origin.”[i]
Diasporas are increasingly seen as powerful agents of economic and social development, crisis first-responders and post-conflict partners. They invest in their countries of origin by sending remittances, starting businesses and providing medical and other services.
In 2015, The Aleppo Project interviewed Omar AlJaloud, who was part of a volunteer group providing Syrian children in Turkey with educational training that would provide them with novel tools of expression and expose them to different perspectives. Since this group of volunteers specializes in Architecture, they wanted to conduct their training in a simplified way to the children in order to get their perspective on the future of Syria after the war. The students were Syrians from different backgrounds in Mersin. For five months, the class met weekly to learn the basics of architecture, design and drawing. By the end of these sessions, children were required to submit designs of their own imagined buildings.
With the participation of The Aleppo Project, Pakhuis de Zwijger in Amsterdam held a series of events that brought together Syrian and European researchers and city lovers in discussion about the future of the devastated city of Aleppo. Aleppo Project fellow AlHakam Shaar took part in the keynote panel and co-organized a workshop on identity, ownership and agency in defining and re-visiting cultural heritage.
With a reference to the Aleppo Project’s survey on the possibilities of reconstructing the city and restoring private ownership, Edwar Hanna poses different questions on the mechanisms of reconstructing Aleppo. In an article published in AlNabad.net, he stresses the need to have an interactive and inclusive approach that guarantees social justice and equality for all.
Almost the entire school remains in tact from the days of the war, with the minor exception of the secondary dome near the entrance and the back wall of the iwan, both of which can easily be repaired.
It was built in the time of Queen Deifa Khatoun, wife of the King of Aleppo Zahir Ghazi son of the King Salah Al-Din Al-Ayoubi in the year 633 Hijri. This was an era when Aleppo was the capital of the Ayyubid Kingdom, among one of the most beautiful and famous kingdoms in the world.
As Syria bleeds and its wounds multiply, governments across the world turn their eyes away. In Hungary, the Fidesz government invested 50 million euros of public funds in a campaign for a referendum to challenge the resettlement of 1,500 refugees agreed on the EU level. The government couldn’t convince enough of the electorate to vote on the referendum. The campaign failed.
Two days before the referendum, a wide alliance of civil society groups and individuals organized a rally against the campaign in front of the parliament. Among them were Peter Horgas and more than 30 other Hungarian artists. They presented their artwork Aleppo Testimony in recognition of the suffering of Syrian war victims and in support of the refugees looking for a safer life.
Photos taken last Friday, February 17, 2017 by Saleh Zakkour show hollowed halls of Khan Al-Nahasin, previously inhabited by coppersmiths at work. The street sign displays the name Adolphe Poche, homage to the Belgian consul of Austrian origin as well as the House of Poche located in the khan. Born in this historic house linking centuries of European travelers and diplomats to the Middle East, the late Madame Jenny Poche, daughter of businessman George Marash and the daughter of Adolphe Poche, most recently inhabited the house.  According to an interview with Madame Poche from the summer of 2011, her great-grandfather, a crystal merchant, first arrived in Aleppo from Bohemia in the early 19th century. The house itself dates back to the 16th century, even before the arrival of the Poche family, when it first housed the Consul of Venice.
Shattuck Center Fellow AlHakam Shaar and former SPP Assistant Professor Austin Choi-Fitzpatrick have written an article for Al Jazeera on how drone technology is being used in Syria.
The article looks at competing media uses of drones, while examining a particular grassroots initiative called Life in Aleppo.
“Drones are not only powerful tools that enable citizens to challenge official news reports, they also provide a completely different perspective on what is happening in Syria,” said Shaar. Choi-Fitzpatrick, who is writing a book about drones and other protest technologies, notes that what is happening in Syria is not new. “Activists around the world have used drones to gather information and monitor situations on the ground,” he said.