Armenak Tokmajyan

The Ceasefire in Aleppo Should not Fall

by Armenak Tokmajyan on April 27, 2016

After a relative calm, an escalation looms on the frontier. The rebels are getting ready to confront any possible siege of Aleppo while tensions between Jabhet an-Nusra and the regime escalate south of Aleppo. The Syrian Prime Minister Wael Halaqi’s announcement that the government plans to liberate Aleppo with the help of the Russian Air Force presages more violence. It also follows several warnings from the speaker of the High Negotiations Committee Bassma Kodmani that the ceasefire is about to collapse. The High Negotiations Committee suspended its participation in the Geneva talks to protest against the escalation on the ground. De Mistura, who is scheduled to brief the Security Council on April 27, recently insisted that the ceasefire was still 70 per cent holding. The facts on the ground have changed a lot in a short time. On April 26, UN Secretary General Ban Ki-moon told reporters in Vienna he was “deeply concerned about developments on the ground.” Will the ceasefire fall apart in Aleppo?

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Armenak TokmajyanThe Ceasefire in Aleppo Should not Fall

Mapping Aleppo

by The Aleppo Project on April 26, 2016

We need the help of all Aleppians who can use this site. Each person who lived in the city has their own maps of Aleppo in their heads. These might be places you lived, went to school, worked or visited family. They might be places that you remember with a light heart — cafes where you spent time with friends, parks where you played with your children, a quiet spot for contemplation amid the noise of a busy city. They might now be places of sadness as the city has been so damaged by war. We want to know about your Aleppo so that we can document not just the buildings and streets but the meaning of the city to its residents and its past life.

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The Aleppo ProjectMapping Aleppo

The Aleppo Weekly, April 12-17

by The Aleppo Project on April 18, 2016

Ordinary Syrian people are going to extraordinary lengths, risking everything to protect their heritage, despite the horror that has engulfed their country. For them, it is not a question of people or stones. The story of the people is embedded in those stones, a crafted story stretching back millennia. Saving that story is saving Syria. Dr. Emma Cunliffe. Research Associate, Oxford University.

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The Aleppo ProjectThe Aleppo Weekly, April 12-17

A Mother Mourns the Last Exodus

by Rami Aboud on March 29, 2016

I am the mourning mother, and who comforts her,” a deep rhyme echoes in the sky of Aleppo every year.

It is the heavenly voice of the Levantine singer Fairuz that awakens Christian neighborhoods of the city. Mothers are awake earlier than usual; they open the doors to their balconies and the contest begins on whose Fairuz is loudest. It is Good Friday, one of the most important days in the Aleppian Christian calendar. Shop keepers and hair dressers are packed; working in harmony with the rhymes that mix with the fragrance of the Bakhur incense. In the afternoon, tens of thousands of Christians join a pilgrimage to the nearly forty churches of Aleppo. The old town, however, gets the largest number of pilgrims. Farhat Square in al-Jdaydeh quarter puts on its special attire. The sounds of people, peddlers and boy scout brass bands are a symphony embedded in the memory of Aleppians. The four churches that overlook the square remind Christians of their ancient roots in the city. The medieval limestone holds the memory of surviving the Mongol slaughter when Timur Lank invaded Aleppo six hundred years ago.

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Rami AboudA Mother Mourns the Last Exodus

Aleppo’s Good Listeners – The Sammīʿah

by Clara Wenz on March 23, 2016

Lovers of Arab music know Aleppo by the name Em el-Tarab – the “mother of tarab.”  Tarab roughly translates as “ecstasy” and refers to a state of spiritual up-lifting and enchantment that is induced by this type of music.  Although today the term is often loosely applied to any type of traditional Arab music, Tarab actually refers to a particular musical culture that was popular from the 19th until the first half of the 20th century.

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Clara WenzAleppo’s Good Listeners – The Sammīʿah

WHO ARE YOU CALLING STUPID?

by Dr. Eng. Ahmad Adib Shaar on March 22, 2016

Arabs are considered a high context culture, meaning that due to a long history of intense contact in their communities, they can use short cuts, allusions and proverbs easily in their conversation and expect to be understood. Much can go unexplained in discussions as people are deeply familiar with each other and their common culture. Languages that exist in these cultures can have a richness of allusions that others may lack. For example, in Aleppo, if you want to point out that someone is stupid, you have a range of options, not all of them particularly politically correct:  

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Dr. Eng. Ahmad Adib ShaarWHO ARE YOU CALLING STUPID?